Monday, March 19, 2007
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Sunday, March 11, 2007
JOE : GADGETS

Sony: Xbox Live is Static and Can't Match PlayStation Home
Sony Computer Entertainment’s big news at this year’s GDC is the announcement of PlayStation Home, basically what appears to be ‘the answer’ for PS3’s life online. Phil Harrison’s keynote Wednesday at the Game Developer Conference explained the features and appearance of PlayStation Home, which some call the closest realization of William Gibson's Cyberspace.
Old, but apparently relevant sci-fi classics aside, parallels between Second Life and PlayStation Home were immediately drawn, but Sony touts its free online service as superior to the MMO. “Home is a much more rich, user friendly experience than Second Life, allowing for ease of entry and use, as well as being fully-functional with the technology and capabilities of PS3,” said a Sony representative in the ThreeSpeech blog.
With Microsoft’s Xbox Live service as the benchmark for online console gaming, most Sony faithful were hoping for a PS3 online experience that would equal the competitive offering. But Sony’s belief is that it has a product that’s incomparable to Xbox Live.
“Home is a first of its kind 3D community that allows for open interaction between consumers, SCE and third party partners. It is a truly interactive, global community of users,” the representative added. “Xbox Live is a static, 2D, text-heavy environment that can’t match the rich community features found in Home. Xbox Live community interaction is much more passive and limited to the members on that friend’s list.”
While it’s unclear if PlayStation Home will become a mandatory way for gamers to connect with each other, but the current PlayStation Store is to coexist with the upcoming service. “Home is a real-time online 3D, networked community available on the Network, while the Store offers free and premium digital goods delivered directly to your PS3,” Sony said.
It’s also unknown if PlayStation Home will be an optional component for online gamers, though Sony revealed that a download of under 500 MB is required in order to add the feature to the PS3.
A Home Beta Trial Web site is now available online with placeholder graphics and art for the pending public beta test set to begin in April. The full release of PlayStation Home is slated for this fall.
JOE : GO GO JOE GADGETS

Nokia has been hard at work designing more playful mobile phones. The Finnish company's latest innovation is a recently patented design that incorporates a built-in joystick function to give the phone an edge with serious gamers.
Inventors John Patrick Wong and Jeff Philip Crampton of Vancouver, BC, were granted a patent on a cell phone design with a trackball in its face that accepts insertion of a detachable stylus. Insert the stylus into the trackball and, voila, the phone's keypad becomes a joystick game controller. Combined with advances in mobile phone processing power and graphics, joystick controls could propel the Nokia design into a new gaming league.
The plot thickens when considered in conjunction with another recently granted Nokia patent involving orientation sensors that allow a phone to automatically adjust to being used in any position. Combined with keys that change their labels to accommodate whether the phone is being held upside, on its side or right side up, the patent specifies embedded chips that will also sense velocity and direction when the phone is being moved. This capability will inevitably draw comparisons to the popular and innovative wireless controller for Nintendo's best-selling Wii videogame device. German inventors Josef Stohr and Thomas Franke also suggest that the signal from an onboard video camera could be used to support the tilt sensor, which itself might use a tiny gyroscope or related gravity- and acceleration-sensing mechanism.
Much of the latter patent application is taken up with elaborating on the keypad design, which specifies the use of "hard" keys rather than soft keys, thus steering clear of a potential infringement claim relating to the Apple iPhone. The iPhone's multidirectional design relies exclusively on soft keys displayed via a touch-sensitive screen.
Saturday, March 10, 2007
JOE : Living - Terzetto






Number of units: 405
Square Footage: 900 - 1830 sqft
Price Range: $500,000 +
Location:
The location is everything and living here you are in close proximity to the best dining, entertainment, and shopping the Beach has to offer. The tower residences provide value through design, specifically catering to the 21st century lifestyle through an impressive list of amenities.
JOE : Living In Hot Miami

Type: Loft
City: Miami
Price: $280 - $850,000
Cité is cutting-edge form and function that works for how you want to live. Awaken to a breathtaking view of Biscayne Bay or the Miami skyline just outside your window. Go for a swim in the private resort-style heated pool as the city comes to life all around you. A state-of-the-art fitness center is also at your disposal for an invigorating workout. Then dash off to your nearby office or to your favorite corner coffee shop for an impromptu meeting.
Inside your residence, the striking combination of innovation and aesthetics is both hip and inviting. Gourmet kitchen, pampering bath and additional perks such as roomy walk-in closets, washer/dryers and pre-wiring for all your electronics come standard. And for the optimum city living experience, Cité offers covered, secure garage parking for all residents; executive business center area and an entertainment center so you can bring your work home—or just kick back—in style.
Located on Biscayne Corridor at the Bay, you are only minutes away from South Beach, Downtown, the Design District, Brickell, and the new Performing Arts Center.
JOE : The Real Dirty South - Miami



Square Footage: 1000 sq. ft. to 4000 sq. ft.
Price Range: $300,000 to $1.5 million
Thursday, March 8, 2007
JOE'S HOT SPOTS
JOE’S SELECT: HOT SPOT
Chicago, IL: Crocodile Lounge
Mere blocks from the Board of Trade, the neighborhood is a bit on the underdeveloped side but that only entices you to find out what’s behind the battered steel door of this tiny downtown gem. Crocodile Lounge holds down a day job as an after-work hang; during the week, traders clamber in for chicken wings, calamari and cocktails. At night the lounge morphs into any of the following; Tuesday Nights: showcase for up-and-coming hip-hop artists, Wednesday Nights: a venue for house music or comedy, Thursday and Friday Nights: a variety of hip-hop, R&B to mainstream and or Saturday Nights: an occasional gig spot for live jazz and reggae bands. Despite the "anything goes" mentality, a few ground rules exist: Sneakers and baseball caps are generally not welcome, and guests must be prepared to shell out a cover charge of $5-$20, which is quite reasonable.
Combined crocodile-chic decor with Gotham City glitz: brassy, faux croc skin upholsters the banquettes; a curvy, metal fixture crowning the bar resembles fins on a sea monster; and hues of amphibian green, gold and chocolate brown lurk in every corner. Bask in the warm candlelit glow of curling metal chandeliers, which are bumped up just enough to illuminate the sculpted wall hangings, and low-slung seating arranged around glass-topped tables and hardwood floors. Exposed brick walls lend an industrial feel to the space while sinuous metal chandeliers and twisted sculptures spell out a downtown vibe. The soundtrack of house, neo soul, R&B and hip-hop is eclectic and sexy—as is the crowd, mostly after-work escapees from the nearby financial district, wearing cubicle casual or, occasionally, a bespoke suit.
When it comes time to imbibe, pick your poison from a full bar. Order yourself a signature Cocktail of Citrus Vodka and Melon Liqueur with a dash of Sweet and Sour and settle in at the wood and sculpted-copper bar or head out to the patio for an alfresco good time. Satisfy your munchies with a newly expanded menu of crab cakes, pizza, pasta and brochette as well as all the regular bar featured appetizers which include sandwiches like: Italian chicken and fried white fish and much, much, more.
—Andre J Durall
Wednesday, March 7, 2007
JOE : Beauty

JOE : Rides

JOE : SPIRITS

Port & Sherry
Photography by Massimo Gammacurta
After a decadent holiday meal, nothing puts the proverbial “cherry on top” like a digestif. Slightly sweet, the fortified wines of the Iberian Peninsula are the perfect complement to a meal. Port hails from the town of Oporto, Portugal. Sherry is from the Atlantic coast of Andalusia in southern Spain. Made by adding brandy to wine, port and sherry are classic wines that have been sought after for centuries. —Andre J Durall
JOE : INDULGES

When you absolutely have to get there with enough style wafting in your tailwind to set hearts aflutter and tongues ablaze, the lush lair inside your vehicle must be just as important as the sexy shell. From luxury jets to high-end cars, make sure the outside of your ride is just the beginning of the, well, ride.
Thirty-nine-year-old aircraft interior designer Edese Doret must be thrilled to know that even though it still seems opulent, private jet travel is rapidly becoming more accessible.
An unlikely combination of September 11-based paranoia and an increase in the number of wealthy (but not super-rich) people in America has resulted in a proliferation of aviation companies offering fractional ownership. In other words, that Gulfstream jet you’ve always wanted is now available to you at timeshare prices.
Accessible, however, is not a word to be confused with affordable. Twenty-five hours of private NetJet access through a Marquis Jet membership will cost you north of six figures. Even so, that’s barely a nick on your Louis Vuitton wallet compared to the $45 million it’ll cost you to buy a Gulfstream yourself—not including flight staff, maintenance, gas and miscellaneous expenses (alternate side parking tickets must be rough). All of this is fantastic news for Haitian-born, Bronx-raised Doret, whose company (Edese Doret Industrial Design, Inc.) specializes in creating luxurious and innovative private airplane interiors. In business for himself since 1998, Doret first started designing plane interiors after earning a degree in Industrial Design from Pratt Institute in Brooklyn, NY. After six years of rising through the ranks to become one of the main designers at an aircraft design firm, Doret had an epiphany when he was able to handle a new client while his boss was on vacation. “I said, ‘I can do this myself,’ ” Doret explains.
Starting off with helicopter interiors, Doret soon made history by becoming the first person to design a private interior for an Airbus A380—the largest passenger airliner jet in existence (think of a plane that has two levels and enough room for nearly six hundred passengers). “All of my private customers are billionaires,” Doret says of how the project came to be. Natch, since the cost to implement one of Doret’s interior designs can cost as much as $30 million. With clients ranging from Angolan oil firms to the Kuwaiti airforce, and mega plush conversions on everything from Boeings to Lockheeds, tapping Doret to create airplane interiors fit for a … well, you know, makes perfect sense.
“It’s almost a hip-hop way of designing,” says Doret of his non-traditional approach. Instead of carpet, for example, he prefers to use wood or marble floors and he favors freestanding structures such as entertainment centers to break up the interior space instead of walls. One of the only African-American independent aircraft designers in the world, Doret is obviously setting the bar high enough to scrape the top of the 80-foot-high Airbus A380 that made his firm famous.
See you on the plane? But, um, the second floor leather sofa by the flat screen TV is all me.
JOE : Feature - Scott Tucker

Scott Tucker brings empty space to life.Thirty-six-year-old Scott Tucker lives by what Taoists would call “instinctive spontaneity,” continuously creating change around him by changing himself. The diversity of his creative practice is astounding. Interactive corporate event design, sculpture, painting and furniture design are all manifested simultaneously within Tucker’s Brooklyn-based business and studio space. In Square Circle Design Concepts is a one-stop shop for fulfilling clients’ visual marketing needs.
With his 2007 line of wood, rectangular-shaped furniture (named Raunjiba) previewing in the spring, an exhibition of female figurative sculpture debuting at Brooklyn’s My Moon restaurant in February and continued work as a spokesperson for the Lincoln Navigator Entrepreneur campaign, Mr. Tucker is one busy artist.
Tucker’s organic process of creation began in an experimental elementary school, in his native Flatbush, Brooklyn. “Instead of having rooms, it was an open complex. There were no chairs and no desks. You sat on the floor in a circle.” Tucker’s favorite activity in this creativity-enriching school was building dioramas (3D scenes within shoeboxes), which led to an early interest in architecture.
Post-high school, Tucker’s architecture inclination led him to an engineering trade school, but he decided to pursue interior design at FIT instead. A year in the sculpture program at The Corcoran School of Art in DC taught him trade skills, including welding and woodworking, and a fledgling interest in painting was honed later, during a BFA from Long Island University with a year abroad at the Winchester School of Art in England.
Figurative images and colorful interiors both take prominence on Tucker’s canvases. “I realized that I liked the idea of making my interiors into paintings. Now, it’s developed to the point where the figures are more in focus.” In most cases, he finds a point of inspiration in magazines, culture or life. A dance scene from the movie Frida inspired one of his diptychs. The two matching paintings portray a rich, vibrant image of dancers, guests and musicians at a small party.
Tucker’s female figurative sculptures—made of copper, steel, paper, acrylic and stone—are called Segmatites. Their futuristic style, lifelike movement and interior lighting are unique and otherworldly. In fact, his February exhibition will feature “a series of flying Segmatites with projection on a sheer scrim that has different sky views,” Tucker explains. “Wherever you are sitting in the restaurant the sky will be over your head.”
And that’s just one example of Tucker’s ability to fill a space with his imagination, which is why clients such as Nike, Evian and Sundance have all hired him to envision and then create physical spaces that promote their products. Tucker has become known for his ability to breathe structured life into empty spaces, just as he breathes vibrant life into his art.
JOE : FEATURE STORY : GRANT HILL

Grant Hill
Words by Andre J Durall
GRANT HILL'S collection of African-American Art will make him a legend off the court.For the past twelve years, Grant Hill, Orlando Magic’s star guard-forward, has led the Detroit Pistons, the NBA All-Stars, several Olympic teams and, of course, the Magic to many victories. But as the 34-year-old looks beyond basketball, he wants to be remembered as more than one of the best all-around players of his generation. While his charitable work with Habitat for Humanity has led him to build homes for underprivileged families and he has volunteered with the organization Prevent Child Abuse America, Hill is turning a lifelong love of art into his most notable endeavor off the court. “It’s so important for people from all walks of life, young and old, to be exposed,” says Hill, who has served as an associate of the Orlando Museum of Art for three years. With a personal collection of more than eighty paintings, sculptures and castes by artists such as Romare Bearden, Elizabeth Catlett, Ernie Barnes and Arthello Beck Jr., he is considered one of the world’s premier collectors of African-American art. And after launching the two-and-a-half year-long tour of forty-six of these pieces, called “Something All Our Own: The Grant Hill Collection of African-American Art,” he is also one of the world’s black art educators.
Growing up in Reston, Virginia, Hill was surrounded by the paintings and sculptures that his parents, Janet and ex-Dallas Cowboys football player Calvin Hill, loved. “They were always passionate about art and enjoyed sharing their enthusiasm with family and friends,” he recalls. “Especially me.” In 1993, as his classmates at Duke University were decorating their rooms with beer posters and bikini calendars, the college junior hung a print of Ernie Barnes’ “Duke’s Fast Break,” a 1986 painting of the school’s basketball team, in his apartment. “It couldn’t have cost much,” he remembers about the purchase. “But I thought I was big time.” Regardless, it was nothing compared to what he paid for the authentic pieces he now owns. “Still, it goes to show that you can be a fan and support African-American artists without having to spend a lot of money.”
After being drafted into the NBA by the Detroit Pistons a year later, Hill moved into his first apartment and began collecting in earnest. “I wanted art like the art I grew up with,” Hill, who was a history major at Duke, explains about his first acquisitions. This is evident in the number of Beardens and Catletts he owns, both of whom are among his parents’ favorites. “Bearden is able to tastefully capture the joy, excitement and pain of the life of the nineteenth century African American, and I respect the strong and powerful way Catlett pays homage to women in general.”
Also like his parents, Hill enjoys sharing his passion with others. “The only thing on my wall growing up was the picture of Black Jesus at the Last Supper,” admits his wife, the Grammy-nominated singer Tamia. “Grant taught me about art, and I’ve enjoyed collecting with him.” Working with Hill’s mother’s longtime friend Dr. Alvia J. Wardlaw (associate professor of Art History at Texas Southern University and the director and curator of the University Museum at Texas Southern University), the couple decided to organize Something All Our Own. “We wanted to bring people into the museums to view African-American art,” Hill explains, adding that he and his wife also sponsored class trips to the host museums to give children the opportunity to view the exhibit. For those who did not see the historic tour, they released an illustrated catalogue, with essays by notable art historians including Dr. Elizabeth Alexander, adjunct Associate Professor in African American Studies at Yale University, and Dr. Beverly Guy-Sheftall, director of the Women’s Research and Resource Center at Spelman College.
Now that the tour has ended, the power couple is broadening their collection. “Up until this point, I’d focused on the African-American masters,” says Hill, whose interest has most recently been piqued by abstract expressionist painter Norman Lewis. “Now, I’m looking at other cultures, as well as contemporary African-American artists. Really, though, it’s whatever stands out and speaks to me.” Which is why whatever direction his professional career takes in the coming years, it’s clear that Hill will continue to rank highly as one of the art world’s key players.
JOE : JOHN LEGEND

LEGEND :
in the making
Words by Andre J Durall
Photography by Jodi Ake
It’s time to face the ugly truth. Romance on the radio has, for the most part, been tossed aside for unmentionables in a box. We may have all cracked up at Justin Timberlake’s hilarious music video parody on Saturday Night Live, but it was more of a nervous laugh-to-keep-from-crying type of thing. Deep down we know that R&B is careening down a slippery slope paved with strippers, booty-smacking and questionable singing abilities. True soul singers are being overshadowed by thinly disguised rappers trying to hold notes over slick, over-produced tracks. And John Legend is pissed off about it.
“I’m so not feeling that general direction,” Legend says to explain his solo mission to save R&B from itself. “People rap-singing has led to the separation of melody from R&B, which is really unfortunate. I’m not in the same lane. I’m trying to create something transcendent, something that inspires people.” At the very least, Legend is hoping to bring a little beauty to your speakers with timeless love songs that won’t make your poor grandmother’s head explode.
Today, however, he is just hoping to stay awake. He’s on the last leg of his three-week European tour and is gearing up for a performance in Manchester, England. It’s a struggle to keep the sleepiness out of his voice. “I don’t get to see many sights on this tour,” Legend says. “It’s pretty much constant work and travel.” In a few days, though, he’ll be off to Springfield, Ohio, to spend Christmas with his family. Then he’ll head to New York to celebrate his twenty-eighth birthday before going back on the road.
Legend is on the grind to promote Once Again, the follow up to his 2004 smash debut, Get Lifted. The new album is young and fresh, but with an ancient spirit. There’s no brash party track and no clever wordplay from Kanye. It’s simply an organic blend of live instrumentation, gospel, soul and heartfelt songwriting. And as good as it is, it’s hard to see where an album like this belongs in the current landscape. “It was a challenge trying to figure out where to market Once Again because it doesn’t fit neatly in different categories. You have to have eclectic tastes to appreciate it—not everyone gets it.” Whereas the multi-platinum Get Lifted was the album of 2004, earning the singer three Grammys and heavy rotation everywhere—from top-market radio stations to your local hair salon—Once Again is enjoying a quieter (albeit loving) reception. “The trap I try not to get into is to write for a program director,” insists Legend. “I wasn’t worried about how it was received commercially. The only way I would be worried is if I didn’t believe in the music. And I really believe in this music.”
“My legacy is important to me,” Legend admits. “It’s not just in the back of my mind, it’s pretty forward. In the same way that I listen to a Stevie Wonder or Beatles album and it still sounds important and fresh, I want my music to feel like that in the future.” Perhaps that’s the best way to keep himself (and his unmentionables) out of a box.
JOE : Feature - BENCHMARK

BENCHMARK
The NBA's Sixth Man Steps Up His Game
words by Andre J Durall
Photography by Christian Lantry
JOE : Best Beer

Brooklyn,New York 11211
(718) 963-4140
http://www.spuytenduyvilnyc.com/main.htm
[map]
Why You Should Go:
JOE : Recipes

PREP TIME 20 Min
COOK TIME 30 Min
READY IN 2 Hrs
1 tablespoon white sugar
2 1/2 cups warm water (110 degrees F)
2 tablespoons olive oil
1 tablespoon salt
1/2 cup whole wheat flour
5 1/2 cups bread flour
DIRECTIONS
2. Stir the olive oil, whole wheat flour, salt and 4 cups of the bread flour into the yeast mixture. Mix in the remaining flour, 1/2 cup at a time, stirring well after each addition. When the dough has pulled together, turn it out onto a lightly floured surface and knead until smooth and elastic, about 8 minutes. Lightly oil a large mixing bowl, place the dough in the bowl and turn to coat with oil. Cover with a damp cloth and put in a warm place to rise until doubled in volume; about 1 hour.
3. Deflate the dough and turn it out onto a lightly floured surface. Divide the dough into three equal pieces and form into rounds. Cover the rounds and let them rest for about 10 minutes. Preheat oven to 425 degrees F (220 degrees C).
4. Use a rolling pin to roll the dough into the desired shape, cover it with your favorite toppings and bake at 425 degrees F (220 degrees C) for about 20 minutes or until the crust and cheese are golden brown.
Amount Per Serving
Calories: 202
Total Fat: 2.6g
Cholesterol: 0mg
Sodium: 438mg
Total Carbs: 37.8g
Dietary Fiber: 1.7g
Protein: 6.3g
JOE : Recipes

SUBMITTED BY: Tiffany
PREP TIME 15 Min
COOK TIME 25 Min
READY IN 40 Min
1/4 cup mayonnaise
1/4 cup grated Parmesan cheese
1/4 cup grated Romano cheese
1 clove garlic, peeled and minced
1/2 teaspoon dried basil
1/4 teaspoon garlic salt
salt and pepper to taste
1 (14 ounce) can artichoke hearts, drained and chopped
1/2 cup frozen chopped spinach, thawed and drained
1/4 cup shredded mozzarella cheese
DIRECTIONS
1. Preheat oven to 350 degrees F (175 degrees C). Lightly grease a small baking dish.
2. In a medium bowl, mix together cream cheese, mayonnaise, Parmesan cheese, Romano cheese, garlic, basil, garlic salt, salt and pepper. Gently stir in artichoke hearts and spinach.
3. Transfer the mixture to the prepared baking dish. Top with mozzarella cheese. Bake in the preheated oven 25 minutes, until bubbly and lightly browned.
Amount Per Serving
Calories: 143
Total Fat: 11.8g
Cholesterol: 29mg
Sodium: 402mg
Total Carbs: 4.7g
Dietary Fiber: 1.4g
Protein: 5.1g
JOE : Recipes
Seven Layer Taco DipSUBMITTED BY: Sue Case
PHOTO BY: WANDA
Original recipe yield:
1 dip
PREP TIME 30 Min
READY IN 30 Min
INGREDIENTS
1/4 (1 ounce) package taco seasoning mix
1/4 (16 ounce) can refried beans
1/4 (8 ounce) package cream cheese, softened
1/4 (16 ounce) container sour cream
1/4 (16 ounce) jar salsa
1/4 large tomato, chopped
1/4 green bell pepper, chopped
1/4 bunch chopped green onions
1/4 small head iceberg lettuce, shredded
1/4 (6 ounce) can sliced black olives, drained
1/4 cup and 3 tablespoons shredded Cheddar cheese
DIRECTIONS
1. In a medium bowl, blend the taco seasoning mix and refried beans. Spread the mixture onto a large serving platter.
2. Mix the sour cream and cream cheese in a medium bowl. Spread over the refried beans.
3. Top the layers with salsa. Place a layer of tomato, green bell pepper, green onions and lettuce over the salsa, and top with Cheddar cheese. Garnish with black olives.
NUTRITION INFORMATION
Servings Per Recipe: 12
Amount Per Serving
Calories: 66
Total Fat: 4.9g
Cholesterol: 13mg
Sodium: 164mg
Total Carbs: 3.5g
Dietary Fiber: 0.9g
Protein: 2.3g
JOE: SPORTS : MARCH MADNESS

By JAN LANDON
Special to JOE Magazine
The key to hosting a successful March Madness party is to keep it casual. Basketball-watching parties can be held during the first round (March 15-18), when there are lots of games, or during the Sweet 16 and Elite Eight (March 22-25), when the tension is high, notes http://www.ehow.com/. The Final Four games will be March 31 and April 2.
Encourage guests to wear jerseys or hats from their alma mater or from the team for which they are cheering. The host can wear a referee shirt. Invite guests early enough that they have time to get settled before tipoff. Provide plenty of seats, each with a good view of the game.
Set up at least two televisions, says Kevin King, general manager of Tanner’s Bar and Grill in Waldo (Kansas City), who has lots of experience meeting the needs of sports-crazy customers. If you want to go all out, buy a satellite package for one of the TVs so guests can watch games from across the country on it while the other TV is devoted to the regional games, he says. If the weather allows, put a television on the deck or patio and light the fire pit.
Make sure a small television or radio also is playing in the bathroom so guests don’t miss a moment, ehow.com suggests. Print out the basketball brackets and post them on the wall across from the toilet.
If some guests have no interest in basketball, give them something else to do. Set up a game of bunko or a conversation area in another room. For children, play movies in a bedroom. For food, set out dips and chips, bowls of popcorn and peanuts and a hearty meat tray. “This isn’t the time for a steak dinner,” King says. “The key is being able to watch the games. People aren’t into having plates of food because they are up jumping around.”
If you can’t stifle the urge to serve more substantial food, ladle up bowls of chili or grill hamburgers or hot dogs. Dessert can be easy-to-eat choices such as basketball-shaped cookies or brownies.
Although beer goes well with basketball, King emphasized that it shouldn’t be the emphasis of the party. Bottles of water or soda also should be available, and one or two designated drivers should be on hand.
BETWEEN GAMES …
•Give a prize to any guest who can sing his entire college fight song.
•Go outside and shoot baskets in the driveway.
•Pop EA’s NCAA March Madness in the Play Station or Xbox.
•Play a basketball movie like “Coach Carter,” “Hoosiers,” “Hoop Dreams” or “White Men Can’t Jump.”
JOE : Sports

Major-conference tournaments have stories to watch
Although the large-arena venues and the possibility of multiple at-large berths mean major-conference tournaments often lack the same intensity seen in smaller gyms around the land, it doesn't mean these games are unimportant -- for the participants or for mid-major teams such as Missouri State, Old Dominion and Drexel that are trying to hang on to positions right on the cusp of the NCAA Tournament.
As such, here are a number of story lines to watch as you take in the five days leading up to Selection Sunday:
The race for No. 1 seeds
First, No. 1 seeds essentially get a bye into the second round, as no No. 16 seed has ever won a first-round game. Having to win, in essence, three competitive games instead of four makes a huge difference in a team's ability to progress.
Last year's lack of upsets in conference tournaments compacted the bracket at the bottom, pushing quality teams down into the 14- and 15-seed lines (and even the 16, with Oral Roberts). That led to three of the 2-vs.-15 games being extremely close and to No. 3 seed Iowa falling to No. 14 seed Northwestern State. We're seeing the same thing this season; the first 10 auto bids from smaller conferences went to either the top seed or second seed in those tournaments, so beware.
Also, there looks to be a significant drop-off after the No. 10 position or so in the S-Curve, meaning this season's 4-seeds will be (A) significantly weaker than the 3s, and (B) not significantly better than the 8-seeds. That means a 1-seed also will get an easier Sweet 16 game if seeds hold than a 2- or 3-seed that will be playing a comparable opponent in that round.
UCLA looks locked in to be the No. 1 seed out West, but the other three No. 1s still look up for grabs. If the Big Ten tournament champion is either Ohio State or Wisconsin, that team should nail down another No. 1. That leaves two for some combination of Kansas, North Carolina, Florida, the loser of the Big Ten final, and possibly Texas A&M.
Teams that might only need one win to dance
That list includes Syracuse (faces UConn in the Big East's opening round), Kansas State (gets a bye into the Big 12 quarters), Texas Tech (which coincidentally will be playing Kansas State in that quarterfinal if it can handle Colorado), Michigan State (vs. Northwestern in the Big Ten's opening round), Georgia Tech (vs. Wake Forest in the ACC's first round), Stanford (vs. USC in the Pac-10 quarters) and Air Force (vs. Wyoming in the MWC quarters).
If you are a fan of a team truly on the bubble, you are rooting hard for as many of those teams as possible to crash out in their tournament openers.
Teams that could find some trouble with an opening-game loss
That list obviously includes the teams listed above, but it also includes Boston College (would finish 19-11, would be only 7-8 without Sean Williams, with two of those wins being over New Hampshire and Hartford, and would have closed with five losses in six games) and USC (RPI would be close to 60; went 0-4 against the two best teams in the Pac-10; and nonconference schedule, albeit without Gabe Pruitt, is fairly barren). Indiana (5-7 vs. RPI Top 50, but no losses outside Top 100) also could be worth a second look if it loses to Illinois in the Big Ten quarters. (As an aside, the win over Southern Illinois is the gift that keeps giving for the Hoosiers -- evidence that high-majors can benefit from playing elite mids.)
I find it hard to believe at this point that there will be enough teams with profiles that could pass teams like that, but it's not 100 percent unthinkable.
Teams that can win multiple games and/or steal an auto bid
Then there's the group of teams that could win more than one game and find themselves back in the at-large mix. That would include Clemson (opens against Florida State, then would get North Carolina), Michigan (opens with Minnesota, then would get Ohio State), and maybe even a team like Arkansas (which has some decent nonconference wins).
Andy Glockner is the men's college basketball editor at ESPN.com and the host of ESPNU College Basketball Insider.
